Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Giovanni Benedetto Castiglione
Noah's Sacrifice after the Deluge

ID: 84761

Giovanni Benedetto Castiglione Noah's Sacrifice after the Deluge
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Giovanni Benedetto Castiglione Noah's Sacrifice after the Deluge


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Giovanni Benedetto Castiglione

was an Italian Baroque artist, painter, printmaker and draftsman, of the Genoese school. He is best known now for his elaborate engravings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benedette.   Related Paintings of Giovanni Benedetto Castiglione :. | Bacchante et Satyre | In Front of Noahs Ark | Circe | Noah's Sacrifice after the Deluge | Fable of Diogenes |
Related Artists:
Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship. He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
Duccio di Buoninsegna
1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
George Earle
English , born May 25, 1803, London, Eng. -died Jan. 18, 1873, Torquay, Devonshire






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